Today Lampo announces its WS20 season, which begins in late February with new work from Chicago artist Whitney Johnson (aka Matchess) and concludes in June with a special performance by the Jessica Pavone String Ensemble, as we also celebrate 10 years of Lampo at the Graham Foundation. In between, we bring you new projects from … Continued
Founded in 1997, Lampo supports artists working in new music, experimental sound and other interdisciplinary practices. We help these artists realize ambitious, risk-taking performances, and offer the public opportunities to actively engage with their work.
For more than twenty years, Lampo has connected people to new ideas and to each other—guided by our belief that curiosity, open questioning of established forms, thoughtful listening and discussion can be transformative.
Our core activity has been and remains the Lampo Performance Series. Rather than making programming decisions around tour schedules, we invite selected artists to create and perform new work for Lampo, and then we provide the space, resources and curatorial support to help them fulfill their vision.
Lampo also organizes artist talks, lectures, screenings and workshops, and publishes written and recorded documents related to its series.
We believe boundary-pushing art should be available to everyone. All Lampo programs are free and open to the public. By design, we produce our events in collaboration with various institutions across Chicago, which ensures our reach to a broad and diverse community.
Lampo is equally committed to the documentation and preservation of time-based artworks. The Lampo Collection, comprised of audio and video recordings, photographs, and artists’ papers, is open for study by appointment.
Lampo was incorporated on December 17, 1998. Tax-exempt status was granted in January 2000.
Lampo thanks its 2019-20 presenting partners—the Chicago Architecture Biennial, the Graham Foundation for Advanced Studies in the Fine Arts, the Poetry Foundation, and the Renaissance Society at the University of Chicago.
Past programs have been organized in cooperation with Arts + Public Life, an initiative of UChicago Arts; the Center for Experiments in Art, Information and Technology at CalArts; Conversations at the Edge; the Reva and David Logan Center for the Arts; the Museum of Contemporary Art, Chicago; the Museum of Contemporary Photography; Rebuild Foundation and the Stony Island Arts Bank; REDCAT (Roy and Edna Disney/CalArts Theater); the Smart Museum of Art at the University of Chicago; and the City of Chicago Department of Cultural Affairs and Special Events.
Current and past education partners include Columbia College Chicago, Department of Audio Arts and Acoustics, and Department of Interactive Arts and Media; Northwestern University, School of Music; the School of the Art Institute of Chicago, Department of Art and Technology Studies, Department of Film, Video, New Media and Animation, Department of Performance, Department of Sound, and Department of Visual and Critical Studies; and the University of Illinois at Chicago, School of Art and Art History.
Public and Private Support
The Lampo series of performances is a project of Lampo, Inc., a 501(c)(3) tax-exempt, nonprofit organization. Current programs are supported in part by the MacArthur Fund for Arts and Culture at the Richard H. Driehaus Foundation, the Graham Foundation for Advanced Studies in the Fine Arts, the Arts Work Fund, the Farny R. Wurlitzer Foundation Fund, mediaThe foundation inc., the John W. and Clara C. Higgins Foundation, a CityArts Grant from the City of Chicago Department of Cultural Affairs & Special Events, the Illinois Arts Council Agency, and the National Endowment for the Arts. Essential contributions also come from individuals, members and volunteers.
Lampo gratefully acknowledges past support from the Aaron Copland Fund for Music; the Alice M. Ditson Fund of Columbia University; the American-Scandinavian Foundation; the Austrian Cultural Forum; the Barbro Osher Pro Suecia Foundation; the Carl & Marilynn Thoma Art Foundation; CEC ArtsLink; the Consulate General of Canada; the Consulate General of the Netherlands; the Consulate General of Sweden; the Cultural Service at the Consulate General of France in Chicago; the Foundation for Contemporary Arts; the Goethe-Institut Chicago; the Instituto Cervantes of Chicago; the Irving Harris Foundation; the Italian Cultural Institute of Chicago; the Metabolic Studio, a direct charitable activity of the Annenberg Foundation; New Music USA’s MetLife Creative Connections program; the Royal Norwegian Embassy, Washington DC; the Trust for Mutual Understanding; and the National Endowment for the Humanities.