Today Lampo announces its WS20 season, which begins in late February with new work from Chicago artist Whitney Johnson (aka Matchess) and concludes in June with a special performance by the Jessica Pavone String Ensemble, as we also celebrate 10 years of Lampo at the Graham Foundation. In between, we bring you new projects from … Continued
Lampo director Andrew Fenchel and musician Steve Hauschildt will talk about experimental music and conduct a hands-on workshop at Apple Michigan Avenue on Saturday, January 25 at 2:00 p.m. Steve also will perform a short set. Music Lab: Sonic Landscapes with Lampo and Steve Hauschildt. Details here.
Lampo is very pleased to announce its FW19 season of programs—with special new projects from artists Sarah Davachi, Laura Steenberge, Roc Jiménez de Cisneros, Caterina Barbieri, Catherine Lamb and Rebecca Lane. On October 5, Sarah Davachi premieres a new long-form composition for pipe organ and two French horns, in the soaring interior of Rockefeller Chapel. … Continued
Lampo director Andrew Fenchel looks back at Resonance: A Sound Art Marathon at the Walker Art Center, in this review for the Walker Reader. The May 2019 festival, organized by Pavel Pyś and Doug Benidt, included artists Philip Blackburn, Christine Sun Kim, Walter Kitundu, … Continued
Today Lampo announces its WS19 season, featuring projects by artists Florian Hecker, Peter Rehberg, James Hoff, Jon Davies and DeForrest Brown Jr., and Anthony Pateras—with five special performances across Chicago, at the Poetry Foundation, the Graham Foundation, and the new Green Line Performing Arts Center in the city’s Washington Park neighborhood. Lampo WS19 begins in … Continued
In his first Chicago performance, Jacob Kirkegaard presents AION—recorded and filmed in four abandoned spaces inside the radioactive zone around the former nuclear power plant in Chernobyl, Ukraine.
AION—“infinity” or “eternity” in ancient Greek—was inspired by the groundbreaking sound work I am sitting in a room (1969), by artist Alvin Lucier, in which Lucier recorded himself saying, “I am sitting in a room, different from the one you are in now. I am recording the sound of my speaking voice.” He then played these phrases back and re-recorded them, until the different layers of his voice began to merge.
Kirkegaard has taken Lucier’s action a step further, recording the resonance of an empty swimming pool, concert hall, gymnasium and church, inside the Chernobyl exclusion area—also called the Zone of Alienation.
The Danish artist put up a microphone and speaker in each space, started the recording and left. After ten minutes, he returned, stopped the recording, played it back into the same room, and made a re-recording. With each new layer, subtle sounds enlarged and deepened until they turned into one rich hum with many overtones. In effect, he has recorded the voices of rooms.
For the visual representation of the four rooms, Kirkegaard explored a variety of techniques, working with layers, overexposure and video feedback.
Jacob Kirkegaard (b.1975, Esbjerg, Denmark) is an artist focused on the scientific and aesthetic aspects of resonance, time, sound and hearing. His installations, compositions and performances deal with acoustic spaces and phenomena that usually remain imperceptible. Using unorthodox recording tools, including accelerometers, hydrophones and home-built electromagnetic receivers, Kirkegaard captures and contextualizes previously unheard sounds from a variety of environments: a geyser, a sand dune, an empty room, a glacier, and even the human inner ear itself.
Based in Berlin, Kirkegaard is a graduate of the Academy for Media Arts in Cologne. He has presented his works at exhibitions, festivals and conferences throughout the world, including the Museum of Modern Art, New York; Louisiana Museum of Modern Art, Denmark; KW Institute for Contemporary Art, Berlin; Museum of Contemporary Art, Denmark; the Menil Collection, Houston; Rothko Chapel, Houston; Aichi Triennale, Nagoya; and the Mori Art Museum, Tokyo. He has released several albums on Touch, Important Records and other labels. He is also a member of the sound art collective freq_out.
Presented in partnership with the Graham Foundation
Artist Talk: Jacob Kirkegaard discusses his audiovisual work in Chernobyl as well as similar projects in Fukushima and other nuclear power plants. Lampo Annex, Monadnock Building, 53 W. Jackson Blvd. #1656. Friday, April 7, 6 p.m.