Today Lampo announces its WS20 season, which begins in late February with new work from Chicago artist Whitney Johnson (aka Matchess) and concludes in June with a special performance by the Jessica Pavone String Ensemble, as we also celebrate 10 years of Lampo at the Graham Foundation. In between, we bring you new projects from … Continued
Lampo director Andrew Fenchel and musician Steve Hauschildt will talk about experimental music and conduct a hands-on workshop at Apple Michigan Avenue on Saturday, January 25 at 2:00 p.m. Steve also will perform a short set. Music Lab: Sonic Landscapes with Lampo and Steve Hauschildt. Details here.
Lampo is very pleased to announce its FW19 season of programs—with special new projects from artists Sarah Davachi, Laura Steenberge, Roc Jiménez de Cisneros, Caterina Barbieri, Catherine Lamb and Rebecca Lane. On October 5, Sarah Davachi premieres a new long-form composition for pipe organ and two French horns, in the soaring interior of Rockefeller Chapel. … Continued
Lampo director Andrew Fenchel looks back at Resonance: A Sound Art Marathon at the Walker Art Center, in this review for the Walker Reader. The May 2019 festival, organized by Pavel Pyś and Doug Benidt, included artists Philip Blackburn, Christine Sun Kim, Walter Kitundu, … Continued
Today Lampo announces its WS19 season, featuring projects by artists Florian Hecker, Peter Rehberg, James Hoff, Jon Davies and DeForrest Brown Jr., and Anthony Pateras—with five special performances across Chicago, at the Poetry Foundation, the Graham Foundation, and the new Green Line Performing Arts Center in the city’s Washington Park neighborhood. Lampo WS19 begins in … Continued
Soundings and other solo improvisations for violin and voice; unfiltered sound-textures and hardscrabble songs from Malcolm Goldstein.
Malcolm Goldstein (b.1936, Brooklyn, N.Y.) is a composer, violinist and improviser, active in the presentation of new music and dance since the early 1960s, when he participated in the Tone Roads Ensemble with James Tenney and Philip Corner, Judson Dance Theater and Experimental Intermedia Foundation in New York City.
Although trained as a classical violinist, his music became focused on open improvisation and structured improvisation-composition. His soundings have received acclaim for having “re-invented violin playing.” Numerous composers—as diverse as John Cage and Ornette Coleman—have written music for him. Since the late 1970s Goldstein has toured extensively throughout North America, Europe and Japan, where he has presented concerts of his music at several New Music America festivals, the Acustica International Festival (West German Radio, Cologne), and as director of the Ensemble for New Music of the Hessischer Rundfunk (Frankfurt). He lives in Canada.