Today Lampo announces its WS20 season, which begins in late February with new work from Chicago artist Whitney Johnson (aka Matchess) and concludes in June with a special performance by the Jessica Pavone String Ensemble, as we also celebrate 10 years of Lampo at the Graham Foundation. In between, we bring you new projects from … Continued
Lampo director Andrew Fenchel and musician Steve Hauschildt will talk about experimental music and conduct a hands-on workshop at Apple Michigan Avenue on Saturday, January 25 at 2:00 p.m. Steve also will perform a short set. Music Lab: Sonic Landscapes with Lampo and Steve Hauschildt. Details here.
Lampo is very pleased to announce its FW19 season of programs—with special new projects from artists Sarah Davachi, Laura Steenberge, Roc Jiménez de Cisneros, Caterina Barbieri, Catherine Lamb and Rebecca Lane. On October 5, Sarah Davachi premieres a new long-form composition for pipe organ and two French horns, in the soaring interior of Rockefeller Chapel. … Continued
Lampo director Andrew Fenchel looks back at Resonance: A Sound Art Marathon at the Walker Art Center, in this review for the Walker Reader. The May 2019 festival, organized by Pavel Pyś and Doug Benidt, included artists Philip Blackburn, Christine Sun Kim, Walter Kitundu, … Continued
Today Lampo announces its WS19 season, featuring projects by artists Florian Hecker, Peter Rehberg, James Hoff, Jon Davies and DeForrest Brown Jr., and Anthony Pateras—with five special performances across Chicago, at the Poetry Foundation, the Graham Foundation, and the new Green Line Performing Arts Center in the city’s Washington Park neighborhood. Lampo WS19 begins in … Continued
Zekkereya El-magharbel celebrates the psychology of harmonic theory found across the Islamic world, with a new boundary-pushing performance designed for small audiences in the 10 x 20-foot Lampo office.
Songs Through Space brings the vulnerability required to learn and perform Arabic Maqamat to the foreground in a series of eight intimate solo trombone concerts.
Maqam, a microtonal tuning system prevalent in North Africa, Western Asia, and Central Asia, contains diverse regional variations, all marked by the practice of modulating from one sound to another. The scales within Maqam are defined by their feeling, and mastering them demands an understanding of their emotional cores.
“To learn the Maqamat, the melodies need to be received,” explains El-magharbel. “The heart must be open and soft to become imprinted by each distinctive figure.”
The dressed down nature of Songs Through Space makes the sound more tactile and conversational, reflecting the way these melodic patterns are learned through social exchange.
Tonight El-magharbel performs from 6:00 to 10:00 p.m. Each 20-minute performance is for just four people and is named after a different Maqam—Rast, Nahawand, Ajam, Saba, Hijaz, Sikah, Kurd, Bayati.
Zekkereya El-magharbel (b.1995, Philadelphia, Pa.) is a trombonist, composer, and visual artist based in Detroit. Their current practice explores North African Maqam and adjacent Afro-Arab sonic histories.
In addition to their solo practice, they are a member of the Pan Afrikan Peoples Arkestra in Los Angeles, tombstar (with eddy kwon, Isabel Crespo Pardo and Lesley Mok), and Wendy Eisenberg’s Eye Music. They have worked with various artists, including Angel Bat Dawid, Tyshawn Sorey, Corey Smythe, Jaimie Branch, Steve Lehman, George Lewis, Li Harris, and members of the International Contemporary Ensemble. El-magharbel has performed at Roulette, Brooklyn; the Bang on a Can Music Series at the Noguchi Museum, New York; Black Science Fiction at National Sawdust, Brooklyn, and other venues, and has lectured at Lehman College for Jazz at Lincoln Center. Recent recordings include Daytimes / Nighttimes (Dinzu Artefacts).
Zekkereya El-magharbel’s Songs Through Space is part of an occasional series of commissioned works designed for small audiences in the Lampo office.