Today Lampo announces its WS20 season, which begins in late February with new work from Chicago artist Whitney Johnson (aka Matchess) and concludes in June with a special performance by the Jessica Pavone String Ensemble, as we also celebrate 10 years of Lampo at the Graham Foundation. In between, we bring you new projects from … Continued
Lampo director Andrew Fenchel and musician Steve Hauschildt will talk about experimental music and conduct a hands-on workshop at Apple Michigan Avenue on Saturday, January 25 at 2:00 p.m. Steve also will perform a short set. Music Lab: Sonic Landscapes with Lampo and Steve Hauschildt. Details here.
Lampo is very pleased to announce its FW19 season of programs—with special new projects from artists Sarah Davachi, Laura Steenberge, Roc Jiménez de Cisneros, Caterina Barbieri, Catherine Lamb and Rebecca Lane. On October 5, Sarah Davachi premieres a new long-form composition for pipe organ and two French horns, in the soaring interior of Rockefeller Chapel. … Continued
Lampo director Andrew Fenchel looks back at Resonance: A Sound Art Marathon at the Walker Art Center, in this review for the Walker Reader. The May 2019 festival, organized by Pavel Pyś and Doug Benidt, included artists Philip Blackburn, Christine Sun Kim, Walter Kitundu, … Continued
Today Lampo announces its WS19 season, featuring projects by artists Florian Hecker, Peter Rehberg, James Hoff, Jon Davies and DeForrest Brown Jr., and Anthony Pateras—with five special performances across Chicago, at the Poetry Foundation, the Graham Foundation, and the new Green Line Performing Arts Center in the city’s Washington Park neighborhood. Lampo WS19 begins in … Continued
Rene Hell premieres Bifurcating a Resounding No! The latest project from Rene née Jeff draws from years of recorded sounds (acoustic instruments, field recordings and voice), collected in cities across the U.S. and shaped with various digital techniques, to make one new weird work.
Jeff Witscher a.k.a. Rene Hell (b.1983, Long Beach, Calif.) is a visual artist, avid chess player and music obsessive, who has explored a variety of underground styles since his teens. His aesthetic choices, expressed over dozens of recordings released under many pseudonyms, have anticipated the shifts in U.S. experimental music spanning the last decade. Most recently, he received acclaim for synth albums Porcelain Opera and The Terminal Symphony (Type), a 2012 split release with Oneohtrix Point Never, and his newest recording, Vanilla Call Option (PAN). Witscher’s M.O. is peripatetic—roving styles, changing monikers and wide-ranging influences. Travel is central to Vanilla Call Option too, with its digital palette constructed on the move between airports, performance spaces and public libraries, to evoke the musique concrète of Bernard Parmegiani and computer music of Charles Dodge. Jeff Witscher lives in Los Angeles.
Presented in partnership with the Graham Foundation