Today Lampo announces its WS20 season, which begins in late February with new work from Chicago artist Whitney Johnson (aka Matchess) and concludes in June with a special performance by the Jessica Pavone String Ensemble, as we also celebrate 10 years of Lampo at the Graham Foundation. In between, we bring you new projects from … Continued
To mark the 25th anniversary of Lampo, Marcus Schmickler has composed new multi-channel music, concerned with spectral transformations of percussion instruments and bells.
“Let’s expect the kind of playful electronic music that we crave,” writes Marcus, “deploying technology at the service of creating uncanny sensations.”
Marcus Schmickler (b.1968, Cologne, Germany) is a composer who works at the intersections of computer music and ensemble composition, performance, and research. His interests include data sonification, or the translation of data into sound, as well as psychoacoustics and the compositional potential in various auditory illusions, from Shepard tones to ring modulations. His writings about computer music have appeared in MusikTexte, among other publications. His discography consists of over 50 titles, including choir- and chamber music pieces, computer music compositions, electroacoustic works, and his post-rock project Pluramon. Since 2010, Schmickler has taught at Bard College in Annandale-on-Hudson, N.Y., at CalArts in Valencia, Calif., and at the Robert Schumann Hochschule in Düsseldorf, Germany. He currently lives in Rome, as a Villa Massimo Rome Prize Fellow of the German Academy.
Marcus Schmickler has performed several times for Lampo, most recently in February 2018 with Thomas Lehn. His first Lampo performance was in September 2002.
Presented in partnership with the Graham Foundation; support provided by the Goethe-Institut Chicago